Neighborly is the brainchild of Tom Ackerman, former lead singer and guitarist for the Portland, Oregon-based band, Skiploader, and current drummer for Sunday’s Best. Tom also played drums on, and engineered a good portion of the debut from former Knapsack frontman Blair Shehan’s project, The Jealous Sound. Skiploader disbanded after two full-lengths and one EP, after which Tom attended Loyola University in an effort to improve his recording skills. Neighborly was created when Tom met up with some old friends who had followed his lead and ventured out to California. I had never heard of Tom Ackerman before, so I had no idea what to expect when I first put Grass Is Greener into my stereo.
The sound on Grass Is Greener is not far from Skiploader’s efforts, with maybe a little more solid pop structure. This could stem from the fact that Mark Trombino (Jimmy Eat World, Boilermaker, Garden Variety, Drive Like Jehu), a studio wizard and friend of Ackerman’s, mixed the album. As a result, the ten songs that make up Grass is Greener are quite intelligent and catchy.
Besides the help of Trombino, good songwriting can help too. Ackerman’s lyrics hold your attention with their intelligence and sincerity. “The image was so stunning, you on the concrete running, with your pants down,” Ackerman sings as he welcomes you to the album with the catchy “I Concede The Point.” “Somewhere I’m drunk and toasting, soon to slip into fuzzy regret,” he sings on “Spark And Flash,” immediately gaining your sympathy. And he balances the downtrodden moments with more empowering lines like “Thought opportunity had knocked me off my feet? Here I stand still smiling, sparkling�” in “Cut to Chase.”
The 10 songs that make up Grass Is Greener bounce from catchy pop to slightly more straight-ahead rock, keeping you on the fence about whether or not you like it. Then, when the eighth track, and perhaps the highlight of the album, “Vandalized,” comes along, you start to lean a little more towards thinking you like it. Moments later, the album comes to a close with “Spark And Flash,” and you hit play again, realizing you just heard a damn fine album, and you have to listen to it again.
Delusions Of Adequacy